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Only eight months separate the creation of Dark Medieval Times and its successor, but the second Satyricon album showcased a huge evolutionary leap for its creators. Where the Norwegians' debut had heralded the arrival of a furious new creative force, The Shadowthrone was an act of consolidation and refinement, as Satyr truly blossomed as a composer of artful extremity. Even in sonic terms, it stood apart from both tradition and trend, deftly encompassing both primitive, earthbound grit and a suffocating sense of otherworldly vastness.
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